OUTCAST STUDIOS CHEMICAL LANDSCAPE GHOST MIRROR L40" x H20"
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
Original: $4,000.00
-65%$4,000.00
$1,400.00Description
OUTCAST STUDIOS
Gregory Nangle began using Églomisé in 2001 to make a series of sculptures relating to literary works he was studying at the time. Eugene O’Neill in his famous “Long Days Journey Into Night” employed the backdrop of “Fog” as a literary device dealing with themes like uncertainty, identity, perception, and obfuscation. Gregory saw many parallels in the process and use of mirrors.
